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Dĩ nhiên là không.
Thằng bookdepository đợt trước ngon lắm. Tầm 2014 hay 2013 gì đấy không hiểu sao nó dính phốt gì mà hàng của nó đẩy về VN rất hay bị thất lạc, từ sau đợt đó mọi người ít xài.
war boy xịt sơn vào mồm làm gì vậy các bác?
để bật skill đánh bom tự sát như talibanwar boy xịt sơn vào mồm làm gì vậy các bác?

tại sao bọn war boy phải tiếp máu từ nguồn là người sống? e ko xem mấy phần trước nên chẳng theo được hành động của bọn này
war boy xịt sơn vào mồm làm gì vậy các bác?
theo truyền thuyết hình như của thụy điển thì phải, thì thiên đường vahalla của chúng nó, sau khi chết, sẽ dc 1 cỗ xe ngựa bằng bạc đưa lên thiên đường, nên chúng nó xịt sơn vào mồm trước khi cảm tử ấy màkiểu như nghi lễ tôn giáo, kích động cho có sức chiến đấu, như bọn IS đánh bom nó gào thánh Ala ấy.
These War Boys have no choice. They're culturally impoverished: There's no books, there's no internet, there's no theaters, no radios, no music. All they have are the detritus of the past and they refashion it so a steering wheel becomes a religious artifact; they do the sign of the V8; the engine they scarified on their bodies, because an engine is much more permanent than the human body; they chrome their teeth, because chrome is such a rare thing. So like all cults this is another cult invented by the Immortan Joe in order to get people to die on his behalf.”" - George Miller

Amidst the rich, detailed and gnarly mythology going on in Mad Max: Fury Road, there's one fascinating characteristic that is left unexplained in the movie -- namely, why do some of the characters spray chrome paint in their mouths? In the film this is called "shine" and it seems like the characters do it because they feel that is their key to entering Valhalla, which is like a paradise beyond the living world.
So why the chrome spray paint?
We asked George Miller about that part of the film when we sat down with him earlier this month, and he had a very specific reason behind it.
"I saw a documentary where young [Cambodian] soldiers would go into war, they had little jaded deities -- and before they ran into battle, they put them in their mouths and just held them with little straps."
At the time Miller did not reveal the documentary, but we went searching and found the 1981 Australian doc Front Line, directed by David Bradbury. Watch the trailer below, and in a couple of scenes you can just about make out the tiny Buddhas hanging out of the soldiers' mouths.
Here's a description of the film via a forum:
“'Frontline' By David Bradbury is a worthwhile DVD combat documentary mostly focused on the dieing days of Cambodia. Cameraman was Neil Davis who was later killed in 1985 Bangkok coup. Footage is absolute frontline combat, Cambodian troops with Buddhas in their mouths as they throw grenades and move against dug in NVA and KR. Probably the most extreme combat documentary from the Vietnam/Cambodia period. He films a couple of his friends dieing, one a Cambodian photographer shot through the throat and left behind as the KR overrun their position.”
Miller went on to add that this film -- nominated for an Oscar for Best Documentary -- was his inspiration behind why the War Boys were spraying their mouths with chrome paint. This was their ritual before battle -- that, like the Buddha, the chrome paint will help lift them to a higher place. It'll help bring them to Valhalla.
Hopefully knowing that adds another wild element to your experience of the film and of the world crafted from the mind of George Miller.
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