- 7/7/05
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Mặc dù biết luơt game mới này đã sử dụng Engine mới, trông rất ảo nhưng mình vẫn nghhi ngờ TLOU2, game play quá mượt...
Hội chợ E3 2018 (10/6 - 13/6)
- Thread starter Mrphung
- Ngày gửi
- Status
- 28/9/09
- 10,353
- 6,028
- Thread starter
- #3,282
Chơi ACOrigin có nửa thời gian là ngắm cảnh và chụp ảnhPreorder thôi, lại quay về lí do nguyên thuỷ: chơi game để đi ngắm cảnh
Mà thằng Origin có chế độ auto travel hay phết, nhiều lúc gặp quest ở tận phía bên kia bản đồ cũng không fast travel mà để auto cho tự đi còn mình thì ngắm cảnh
Thằng Odyssey này chắc cũng vẫn có auto travel nhưng tận nửa map là biển, không biết lần này thuyền có auto travel được không.
- 27/6/06
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Dr.Strange
Phế nhân thiên cổ
- 2/11/16
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Thằng odisey này chắc gameplay cũng tương tự như origins
- 8/3/09
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The last of us 2 info
- The Last of Us has always been about the natural world and reclaiming society and civilization, so a natural evolution of Last of Us 1 was to increase the vegetation in the world,” he explained. “That obviously plays into the stealth game that’s super important, so that pushed us to create this analog stealth system where based on your stance, whether you’re crouched, standing, or prone in the thickness of the vegetation you’re in, enemies have an easier or harder time seeing you.
- In the demo, we saw Ellie dodging left and right as enemies attacked her. Naughty Dog added a dedicated dodge button this time around. “This allows us to do a lot more with melee,” Margenau said. “You can fight multiple enemies at once and [there are] all these cool contextual moves she does like planting off the surface and attacking with various finishers.
- We also have all the melee weapons, like she’s able to take a hammer off someone and use that. That’s actually a new detail; if you don’t have a melee weapon beyond your switchblade and you’re finishing off someone who does have one, you can smoothly transition and grab that weapon from them
- In the trailer, we saw Ellie face off against bow-and-arrow enemies. At one point, she gets an arrow stuck in her. This was not scripted for the demo; it’s something else you must consider as you battle menacing foes. When an arrow pierces you, it stays in you until you find a safe place to remove it. “While it’s in you, you don’t have access to listen mode and your aim is all out of whack,” Margenau said. “It’s the first status effect that we’ve introduced in the game,”
- Ellie is not going to be able to just overpower enemies with her raw strength.” To compensate for this difference and to keep combat interesting, Naughty Dog added a dodge for the melee to increase complexity. A new addition is also a jump button to make environments more vertical. “This makes escaping more dynamic and frenetic,” Newman said about the addition. “Escaping is always an option,” Margenau added. “The squeezing through and hiding under things … you don’t always have to kill everyone.”
- The Last of Us has always been about the natural world and reclaiming society and civilization, so a natural evolution of Last of Us 1 was to increase the vegetation in the world,” he explained. “That obviously plays into the stealth game that’s super important, so that pushed us to create this analog stealth system where based on your stance, whether you’re crouched, standing, or prone in the thickness of the vegetation you’re in, enemies have an easier or harder time seeing you.
- In the demo, we saw Ellie dodging left and right as enemies attacked her. Naughty Dog added a dedicated dodge button this time around. “This allows us to do a lot more with melee,” Margenau said. “You can fight multiple enemies at once and [there are] all these cool contextual moves she does like planting off the surface and attacking with various finishers.
- We also have all the melee weapons, like she’s able to take a hammer off someone and use that. That’s actually a new detail; if you don’t have a melee weapon beyond your switchblade and you’re finishing off someone who does have one, you can smoothly transition and grab that weapon from them
- In the trailer, we saw Ellie face off against bow-and-arrow enemies. At one point, she gets an arrow stuck in her. This was not scripted for the demo; it’s something else you must consider as you battle menacing foes. When an arrow pierces you, it stays in you until you find a safe place to remove it. “While it’s in you, you don’t have access to listen mode and your aim is all out of whack,” Margenau said. “It’s the first status effect that we’ve introduced in the game,”
- Ellie is not going to be able to just overpower enemies with her raw strength.” To compensate for this difference and to keep combat interesting, Naughty Dog added a dodge for the melee to increase complexity. A new addition is also a jump button to make environments more vertical. “This makes escaping more dynamic and frenetic,” Newman said about the addition. “Escaping is always an option,” Margenau added. “The squeezing through and hiding under things … you don’t always have to kill everyone.”
Xem đoạn interview panel thì thấy lần này focus vào khả năng dodge của Ellie và đặc biệt nhấn mạnh vào AI và animations , nghe giọng Neil thì thấy rất tự tin vào 2 mảng này
Cốt truyện lần này sẽ do Neil Druckmann và Co writer Halley Gross ( cũng co writer của phim Westworld )
Diễn viên đóng con bạn nhảy của Ellie cũng từ Westword luôn... Shannon woodward
Ko xem phim này nên ko biết thế nào
Bonus đoạn interview của Telegraph với Neil về độ bạo lực :
We have to talk about the violence in the demo: it’s extremely sickening. Lots of neck slicing, entrails falling out, hammer blows to the face… What are you trying to achieve with this?
ND: Realism. We’re telling a story that’s a conversation about the cycle of violence. We’re telling a story that we’re saying there’s a cost of pursuing justice at any cost, both personal and around us. And we don’t want to sanitise it.
Our research is actually way more disturbing than what you see in the game. We watch real life violence. Stuff that’s hard for us to watch but we feel if this is a story we chose to tell we have to do it as honestly as we can. And therefore the violence needs to be as grounded as it can. Often a lot of the iteration process is minimising it and making it more realistic and that’s something our co-art director John Sweeney is really pushing hard: ‘no, no - look at this reference, this is how it should be’. And we know it’s going to be at times disturbing and at times uncomfortable and that’s ok, that’s part of art. As long as it’s engaging and ultimately there’s a reason for all of it and it causes you to reflect on it then that’s why it needs to be in there.
Cốt truyện lần này sẽ do Neil Druckmann và Co writer Halley Gross ( cũng co writer của phim Westworld )
Diễn viên đóng con bạn nhảy của Ellie cũng từ Westword luôn... Shannon woodward
Ko xem phim này nên ko biết thế nào
Bonus đoạn interview của Telegraph với Neil về độ bạo lực :
We have to talk about the violence in the demo: it’s extremely sickening. Lots of neck slicing, entrails falling out, hammer blows to the face… What are you trying to achieve with this?
ND: Realism. We’re telling a story that’s a conversation about the cycle of violence. We’re telling a story that we’re saying there’s a cost of pursuing justice at any cost, both personal and around us. And we don’t want to sanitise it.
Our research is actually way more disturbing than what you see in the game. We watch real life violence. Stuff that’s hard for us to watch but we feel if this is a story we chose to tell we have to do it as honestly as we can. And therefore the violence needs to be as grounded as it can. Often a lot of the iteration process is minimising it and making it more realistic and that’s something our co-art director John Sweeney is really pushing hard: ‘no, no - look at this reference, this is how it should be’. And we know it’s going to be at times disturbing and at times uncomfortable and that’s ok, that’s part of art. As long as it’s engaging and ultimately there’s a reason for all of it and it causes you to reflect on it then that’s why it needs to be in there.
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GameeĐế
Fire in the hole!
- 21/10/17
- 2,680
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Auto mua,không nói nhiều.Odyssey concept art
Rampage_Ghost
Đây là nick của kẻ Scammer 300k VND
- 20/11/10
- 11,282
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AC Odyssey à Auto... đợi sale mua, không nói nhiều :v.
Rampage_Ghost
Đây là nick của kẻ Scammer 300k VND
- 20/11/10
- 11,282
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ACOd sắp ra mà còn chưa rờ được ACO
Skip luôn đừng rờ kẻo hối hận =]], để time quẩy game khác đi bồ tèo.
- 4/1/10
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Quyết định đợi sale ACOD mặc dù fan cứng dòng AC này, tháng 9 đến tháng cuối năm quá nhiều game hay, cái AC này ko khác ACO mấy và mình thì ngán nó tận cổ rồi, để tiền đập vô Red Dead với Spiderman còn hơn
- 25/4/13
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GameeĐế
Fire in the hole!
- 21/10/17
- 2,680
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Tầm For Honor của Ubisoft chứ mấy,Ghost Of Tsushima coi trailer đúng là không thể nào tin vào mắt mình nữa @@ '' đồ họa in game '' đây sao
Masterchiefs
Space Marine Doomguy
- 20/12/08
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Nhà báo game cho hay: ACO trông toẹt vời vcl... đợi code review miễn phí thoai 
- 28/9/09
- 10,353
- 6,028
- Thread starter
- #3,299
Cái Ghost Of Tsushima ấn tượng nhất là ánh sáng và mấy hiệu ứng gió thổi lá bay, cái demo kia trông đẹp nhờ thời tiết như trong cơn giông, trời tối gió to contrast cao. Nhưng thời tiết kiểu đó thỉnh thoảng có còn được chứ cả game đều vậy thì nhức mắt lắm, không biết đến lúc trời trong nắng ấm trông còn ấn tượng nữa không.
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