Aladdin (24/05/2019)

60% rồi tụt như tụt quần =)))))))))))))))
 
vậy là tiền lởi endgame đem qua gánh aladdin rồi =))
 
RT avg. ratings 5.98 và bọn lều báo xem sớm trên twitter, Indiewire.... vẫn khen nức nở
Update: Meta 55
....

Thôi bố xác định ra rạp ngắm công chúa với nghe concert vậy
 
Nếu phần musical làm hay thì vẫn đáng ra rạp.
 
FAnTasMa nói:
RT avg. ratings 5.98 và bọn lều báo xem sớm trên twitter, Indiewire.... vẫn khen nức nở
Update: Meta 55
....

Thôi bố xác định ra rạp ngắm công chúa với nghe concert vậy
Click to expand...
bọn nó bảo better than expected thôi chứ khen gì mà "nức nở" =))
 
hoibideptrai nói:
bọn nó bảo better than expected thôi chứ khen gì mà "nức nở" =))
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Nah, ông dạo 1 vòng mấy trang báo lớn với twitter mà coi, tôi thấy khen từ mấy hôm trước rồi
 
FAnTasMa nói:
Nah, ông dạo 1 vòng mấy trang báo lớn với twitter mà coi, tôi thấy khen từ mấy hôm trước rồi
Click to expand...
Có khen, nhưng nức nở thì ko, theo ta thì nức nở phải kiểu black panther ấy

Time Out:
If ‘Aladdin’ is not quite a scene-for-scene remake, it gets pretty close. The plot is tweaked with some sensible improvements. Agrabah, a mythical Silk Road city, is described in the original opening song as ‘barbaric’. It’s now simply chaotic, with a bustling population of people from as far as northern Europe (look out for Billy Magnussen’s hilarious Prince Anders) to China, and everywhere in between. It’s clear this version of Aladdin celebrates the cultures from which the ‘Arabian Nights’ folk tale emerged – a lesson no doubt learned from ‘Black Panther’, which led the way in providing an alternative to the white saviour motif of many big-budget movies.
The Guardian:
On the whole, Ritchie’s adaptation wisely does little except add human flesh to the bare bones of what was always one of Disney’s strongest stories (if you need a plot summary you must have been living in a cave for the last 1,000 years). It still holds up as a tale whose central couple’s deceptions and entrapments and self-discoveries have a pleasing symmetry to them, and whose “it’s what’s inside that counts” morals are in the right place. That’s really all anyone wanted out of a new Aladdin: not a whole new world, just a slightly updated old one.
Digital Spy:
But has Guy Ritchie ruined our childhood by daring to remake Aladdin? Nope, not in the slightest. While the remake doesn't quite do enough to feel like A Whole New World, it's still a lavish and enjoyable retelling of a classic tale.
Independent:
Disney’s live-action remake of its 1992 animated feature is a rip-roaring, old-fashioned matinee-style spectacle that turns out far better than we had any right to expect. After the dismal debacle of his previous feature King Arthur, Guy Ritchie directs with such humour and flair that you half suspect that he must have been rubbing the magic lantern himself and getting some help behind the camera from the Genie. The film boasts lively performances, flamboyant musical numbers and clever special effects. It even has a political dimension, making some telling points about the treatment of women in patriarchal Arab societies.
Mirror.uk:
Unlike Tim Burton’s lumbering Dumbo remake, this is full of fun, excitement and glorious songs, with fresh sparkle given to the diamond tunes of Friend Like Me and A Whole New World, while Prince Ali is delivered in grand show-stopping style. .... Director Guy Ritchie is desperate for a hit and he’s certainly put a shift in with this production, successfully negotiate the demands of action, romance, comedy, special effects and big song and dance numbers.
Empire:
Thankfully, Massoud and former Pink Power Ranger Naomi Scott compensate with their easy chemistry, and Disney’s big-dollar production value gives the ‘toon version a luxurious studio-set make-over, from the palace’s gilt-trimmed opulence, to the bustling city streets, to Aladdin’s shabby-gorgeous tower-top hideout. As a remake, then, it brings the ‘toon to vivid life, but where the original left you craving more Genie action, this version weirdly makes you wish he was in it less.
Radio Times:
That said, stretching the very same story out from 90 to 128 minutes does make for slow going at times. Under Guy Ritchie’s direction, there’s plenty of digitally assisted spectacle in the bustling olde worlde settings, though the film often seems burdened by the need to show off its $200 million budget. It occasionally lumbers under its own weight, before the pace thankfully picks up in a zesty final half hour, as sorcery and jeopardy bring a much-needed adrenaline burst.
Little White Lies:
As a viewer, it’s not so much a case of gingerly peering around each new narrative corner, but spying the plot points on the horizon and watching and waiting as they lumber towards the frame. In fact, if you imagined what a CG-animated version of Aladdin looked, felt like and sounded like, odds on you’ll be absolutely right. For better and for worse, Guy Ritchie has made the film that is already in your head, offering you a chance to place your imagination on ice. Finger’s crossed this isn’t the creative mantra for forthcoming additions to the extending “live action” Disney multiverse.
 
Review sớm thì khen, mà h khen chê ngang nhau, haiz đang định tối xem.
 
hoibideptrai nói:
Có khen, nhưng nức nở thì ko, theo ta thì nức nở phải kiểu black panther ấy

Time Out:
If ‘Aladdin’ is not quite a scene-for-scene remake, it gets pretty close. The plot is tweaked with some sensible improvements. Agrabah, a mythical Silk Road city, is described in the original opening song as ‘barbaric’. It’s now simply chaotic, with a bustling population of people from as far as northern Europe (look out for Billy Magnussen’s hilarious Prince Anders) to China, and everywhere in between. It’s clear this version of Aladdin celebrates the cultures from which the ‘Arabian Nights’ folk tale emerged – a lesson no doubt learned from ‘Black Panther’, which led the way in providing an alternative to the white saviour motif of many big-budget movies.
The Guardian:
On the whole, Ritchie’s adaptation wisely does little except add human flesh to the bare bones of what was always one of Disney’s strongest stories (if you need a plot summary you must have been living in a cave for the last 1,000 years). It still holds up as a tale whose central couple’s deceptions and entrapments and self-discoveries have a pleasing symmetry to them, and whose “it’s what’s inside that counts” morals are in the right place. That’s really all anyone wanted out of a new Aladdin: not a whole new world, just a slightly updated old one.
Digital Spy:
But has Guy Ritchie ruined our childhood by daring to remake Aladdin? Nope, not in the slightest. While the remake doesn't quite do enough to feel like A Whole New World, it's still a lavish and enjoyable retelling of a classic tale.
Independent:
Disney’s live-action remake of its 1992 animated feature is a rip-roaring, old-fashioned matinee-style spectacle that turns out far better than we had any right to expect. After the dismal debacle of his previous feature King Arthur, Guy Ritchie directs with such humour and flair that you half suspect that he must have been rubbing the magic lantern himself and getting some help behind the camera from the Genie. The film boasts lively performances, flamboyant musical numbers and clever special effects. It even has a political dimension, making some telling points about the treatment of women in patriarchal Arab societies.
Mirror.uk:
Unlike Tim Burton’s lumbering Dumbo remake, this is full of fun, excitement and glorious songs, with fresh sparkle given to the diamond tunes of Friend Like Me and A Whole New World, while Prince Ali is delivered in grand show-stopping style. .... Director Guy Ritchie is desperate for a hit and he’s certainly put a shift in with this production, successfully negotiate the demands of action, romance, comedy, special effects and big song and dance numbers.
Empire:
Thankfully, Massoud and former Pink Power Ranger Naomi Scott compensate with their easy chemistry, and Disney’s big-dollar production value gives the ‘toon version a luxurious studio-set make-over, from the palace’s gilt-trimmed opulence, to the bustling city streets, to Aladdin’s shabby-gorgeous tower-top hideout. As a remake, then, it brings the ‘toon to vivid life, but where the original left you craving more Genie action, this version weirdly makes you wish he was in it less.
Radio Times:
That said, stretching the very same story out from 90 to 128 minutes does make for slow going at times. Under Guy Ritchie’s direction, there’s plenty of digitally assisted spectacle in the bustling olde worlde settings, though the film often seems burdened by the need to show off its $200 million budget. It occasionally lumbers under its own weight, before the pace thankfully picks up in a zesty final half hour, as sorcery and jeopardy bring a much-needed adrenaline burst.
Little White Lies:
As a viewer, it’s not so much a case of gingerly peering around each new narrative corner, but spying the plot points on the horizon and watching and waiting as they lumber towards the frame. In fact, if you imagined what a CG-animated version of Aladdin looked, felt like and sounded like, odds on you’ll be absolutely right. For better and for worse, Guy Ritchie has made the film that is already in your head, offering you a chance to place your imagination on ice. Finger’s crossed this isn’t the creative mantra for forthcoming additions to the extending “live action” Disney multiverse.
Click to expand...

ờ, twitter thì bọn nó khen ác hơn, tôi xem trên đấy là nhiều
 
Vừa xem xong, phim xem đc, ko xuất sắc nhưng ổn. Hay nhất đoạn Friend like me. A whole new world hơi thất vọng chút. Công chúa xinh, các bác ra rạp ủng hộ công chúa 1 vé gấp.
 
Trước phim là teaser trailer Frozen 2.
 
Phim hay hơn mong đợi.

+ Nhiều cảnh đẹp và hùng vĩ
+ Thần đèn ngon hơn trong trailer nhiều
+ Công chúa đẹp, quá đẹp :4cool_beauty:
+ Nhạc tốt, đoạn Arabian Nights ở Opening và Prince Ali, Friend Like Me thực sự hay hơn rất nhiều khi xem ở rạp.
+ Bám sát nguyên bản nên story không có gì để bàn

- Jafar diễn quá chán, được cái đẹp trai chứ diễn gì toàn nhìn như vô hồn :5cool_sweat:
- Tính cách ông vua nghiêm túc quá, không cà rỡn như hoạt hình :5cool_ops:

Tổng: 8/10 :5cool_big_smile:
 
Không thích xem live action kiểu này lắm mà chỉ thắc mắc một điều sao Guy Ritchie lại chịu làm phim này nhỉ =)))
Tươi sáng quá mức với độ làm phim kiểu láo rất hay của lão =))
Đúng chất Guy Ritchie thì chắc Aladin chửi thề với thần đèn luôn.
 
Phim xem được ko lỗ đâu chắc huề vốn :6cool_smile:
Ai có ghệ dắt đi xem đi :6cool_smile:
Jasmine mà hở rốn là cho 8/10 :3cool_angry:
 
vừa đi xem về,phim xem khá ổn
will smith diễn tốt thật
nhảy nhót , rap hay phết
 
review trên FB có đoạn này
Mình không biết các bạn sao, chứ mình rất ngấy việc nhồi nhét nữ quyền vào các bộ phim Hollywood gần đây. Dẫu biết đây lấy lại công bằng cho chị em là một việc tốt tuy nhiên nó cần được thể hiện một cách tinh tế chứ không phải lộ liễu và nhạt nhẽo như trong Aladdin.
Mà cái việc nữ chính trỗi dậy hiện nay là trào lưu của phim Disney rồi. Hồi xưa thì các nhân vật công chúa chỉ việc ở yên một chỗ để hoàng tử tới cứu thì nay họ sẽ tự cứu bản thân hay đôi khi cứu luôn hoàng tử luôn. Một hai phim còn thấy thú vị chứ phim nào cũng làm cùng một kiểu thì mình thấy không ổn.
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đây là lần thứ 3 thấy review kiểu vầy rồi nên có lẽ đúng, đm sợ cái kiểu nữ quyền này vl, như hồi coi cái solo đã muốn mửa ra rạp rồi
gần đây cũng k coi nổi cái ST discovery ss2 vì nó nhét combo tổng nữ quyền đen quyền gay quyền quá lố coi mệt mỏi vô cùng
 
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