“Oh, like 50,” he says, smirking. “It depends on what you refer to as a jump scare. Jump scares get s--- on a lot. And I think crafting a really great jump scare can sometimes happen without the kind of quiet...quiet...loud sting that everyone associates with jump scares. It plays the hits of every aspect of horror. It’s full of dread, it’s full of set pieces, but it’s all steeped in this deep paranoia where you’re wondering if what you’re seeing is reality, if who you’re seeing is Ursula or Other Mommy, if you can trust any of the grownup characters.”