█ Papa Feige's Children █ Spider-Noir (27/05/2026)

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phim này Feige khô máu để tranh oscar mà, doanh thu nó chỉ là cái vấn đề bé tí thôi
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K'Dash nói:
Thanh niên gạo chí phèo thật. Thấy mình đoán trật lất, phim không như tưởng tượng trong đầu mình vẽ ra thì dìm thảm hại - bệnh này nhiều thanh niên mắc lắm này =))
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thật cực ghét mấy thằng giọng éo éo như thằng gạo, có 2 thằng mình ghét có điểm chung là giọng là thằng vinh vật vờ, và thằng pewpew
 
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Xem profile ông đạo diễn này cũng toàn phim hay. The boys, GoT, ... :2cool_burn_joss_sti
 
mấy series đó đạo diễn có 1 hay 2 tập thôi dáo dân ơi, coi chừng bị backstab
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Thì có dấu răng trong đó là được rồi :2cool_misdoubt:. Profile đẹp đi xin việc dễ :3cool_embarrassed:
 
Check thấy đạo diễn cả 9 tập luôn, bình thường tv series hay chia ra nhiều đạo diễn. Hy vọng sau này tiếp tục tham gia nhiều hơn các dự án của MCU.
 
Bộ đồ thật đẹp
 
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ko biết bao giờ thì bị ban
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7 downvote rồi, đưa link để dáo dân vào downvote tiếp cho dáo chủ
 
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Tia Sáng nói:
Bộ đồ thật đẹp
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Ông Hot Toys này làm char nữ cứ hay úp cái mũ nhựa lên đầu nhìn giảm hẳn giá trị, sao ko ráng đầu tư làm bộ tóc nhìn cho đàng hoàng nhỉ. :4cool_doubt:

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Phỏng vấn đạo diễn, again

https://www.nytimes.com/2021/03/08/arts/television/wandavision-creator-Jac-Schaeffer.html

Do you think that Agatha, in her own weird way, was somehow helpful to Wanda?

Absolutely. Agatha, technically, is more on the villainous end of the spectrum, but she actually is the chief instigator of Wanda’s healing. And there is a desire to connect with Wanda and to mentor her and to learn from her. Agatha’s damage is so severe, and she has been alone for so long, and all of that hurt has calcified. The question of, can she be pulled back from this very selfish, power-hungry place? I would argue she totally could, given the right story line. In the writers’ room, one of the things we kept saying is, Agatha is not wrong in her analysis of Wanda being in denial. She’s being kind of harsh with it. She could go back and get a degree and maybe be gentle. But she fast-tracks what is necessary for Wanda in her journey.
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Was it a certainty that you’d be able to get Evan Peters, who was Quicksilver in the “X-Men” movies, to play the show’s fake Pietro?Did you have a backup plan if you couldn’t get him?

It was an enormous question mark for a very long time. And it took a while to figure out if it would be possible. It was late that it was finally confirmed that we could do it. But we were writing for it. Evan is such a chameleon in that way, that could play an amalgamation of Uncle Jesse [from “Full House”], Nick [from “Family Ties”] and Joey from “Friends.” He could play those layers.
The ground is often shifting, and sometimes that’s how the amazing things occur. There are a couple of scenes that I wrote that I’m like, “This is genius!” And then it was like, “No, you can’t have that toy.” You find a different toy that suits your show better. But there wasn’t a Plan B on that. There were just very, very intense hopes and dreams, and they were met.
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A speech from Vision in Episode 8 — and particularly his quote, “What is grief, if not love persevering?” — really caught on with viewers. Did it land as powerfully for you when that episode was being written?

In the writers’ room, we had intense conversations about grief and loss. We had a grief counselor come and speak to us. My initial pitch, the structure of the show was mapped to the stages of grief. I did not know that that line would be a sensation, but it did feel at the time that it was the perfect distillation of the show. Laura Donney wrote an extraordinary episode, and as we were moving toward production on the scene, Paul was really hungering for, what’s the thing that Vision can say that will bring her comfort? He wanted a line that, in a very Vision way, would perfectly encapsulate a definition of grief, like in “Age of Ultron,” how he says, “A thing isn’t beautiful because it lasts.”
So I came up with a line that was something along the lines of, “What is grief but love surviving?” We agreed that wasn’t quite it and we were turning it over and trying to figure it out. My incredibly talented assistant, Laura Monti, came up with the word “persevering.” We all believe that the line was born of the enormous amount of collaboration and unity on the show. So many talented women, specifically, came up with it.
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Do you think Wanda got the fate she deserved in the show’s conclusion?

I don’t know if she got what she deserved. She got to say goodbye on her own terms. That’s what’s important to me. Everything that she’s been through has been forced upon her, and things have been wrenched from her. It’s all been in this frenzied, stakes-of-the-universe way. She has to make really big decisions with no time for processing. This goodbye moment is her choice and she got to do it in her own way. That is what she needed to process everything she’s been through and reach acceptance.
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What did the final scene of the series mean to you?

[Pauses, then laughs.] There’s not a whole lot that I can say. What I can say is, I love the duality of it. I love the real Wanda, sitting on her porch, making a cup of tea, doing her ruminating and reflecting. And the super-lady in the back room who is astral-projecting and functioning at a level that we have yet to understand. I love that.
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Are there plans for a second season of “WandaVision”?

That is one of the things that I super can’t talk about. I will just reiterate what [the Marvel Studios president] Kevin Feige says: We set out to make a very complete and satisfying series. But with an entity like the M.C.U., you never know.
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