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^ .Lâu lâu lướt 4rum tự dưng thấy bài của thằng Xế nổ giật cả mình
Lâu lâu lướt 4rum tự dưng thấy bài của thằng Xế nổ giật cả mình
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• Director as Auteur – Film Authorship – The Searchers (1956) and Taxi Driver (1976)
• Melodrama as political text – Mildred Pierce (1945) and Imitation of Life (1959)
• Studio production Models – Warner Bros., Ealing Studios and Hammer Studios
• European Art cinema – Persona (1966) and Belle Du Jour (1967)
• Film as Art – Formalism and self conscious film as a medium – Le Ballet Mecanique (1924), Un Chien Andalou (1929), Annee Derniere a Marienbad,L (1961), New York underground.
• Cinema and Politics – Tout Va Bien (1972) and Le Vent d’Est (1969) or Last Chants for a Slow Dance (1977)
• Cinema and Spectatorship - Peeping Tom (1960), Psycho (1960) and Halloween (1978)
• Feminism and Psychoanalysis theory - Vertigo (1958) and Videodrome (1983)
• Mise – en – Scene – Alien (1979) and Blade Runner (1982)
• Realism and Documentary film making – Flaherty, Grierson, Jennings and Wiseman
• Postmodernism and film - The Long Goodbye (1973) and Pulp Fiction (1994)
• Animation forms and means – entertainment or art – Disney, Warner Bros. and CGI
• ‘Quality’ Popular Television – ‘Must see TV’ – ER, Lost, The Sopranos, Lost, Law and Order, CSI, X-Files, Six Foot Under, Buffy the Vampire Slayer, Star Trek, Friends etc.

được cái có cái "Cinema and Politics" cũng đỡ. phim của Jean Luc Godard, xem 1 cái rồi... còn có thể liên kết luôn tới chủ nghĩa Mác Ăng-ghen..
tớ ghét triết lắm 
Tại thấy dính đến chủ nghĩa Mác Ăng-ghen nên tớ nghĩ là triếtchính trị chứ không phải triết

A r g hFeminism and Psychoanalysis theory - Vertigo (1958) and Videodrome (1983)
Mise – en – Scene – Alien (1979) and Blade Runner (1982)
Realism and Documentary film making – Flaherty, Grierson, Jennings and Wiseman
