Transformers: Dark of the Moon (2011)

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đám trứng xanh lè lủng lẳng p2 đấy
 
góc nhìn từ trên xuống nên trông nó thế :))
mà chắc phần 2 bị đánh tơi tả nên về phải ăn uống bồi bổ nhiều nên béo lên

Ăn gì xăng nhớt ốc vít àh :))
 
Trước khi gặp fallen chú ấy làm boss cybetron lun đó, nhưng ganh tỵ body của op nên mới giở chứng, ko thì vẫn hô mưa gọi gió ở đó chứ ko mất miếng nào đâu.

Lúc đầu mắt nó xanh như autobot mà,gặp fallen mới hóa mắt đỏ.:">2 thằng op với mega hồi xưa hình như còn là bạn thân nữa.:))
 
Lúc đầu mắt nó xanh như autobot mà,gặp fallen mới hóa mắt đỏ.:">2 thằng op với mega hồi xưa hình như còn là bạn thân nữa.:))

nhớ ko nhầm thì mắt mega lúc đầu màu trắng hay vàng gì đó, mà cái đó ko quan trọng, iron hide là lính bên deception mà vẫn màu xanh đó, sau này mới đầu quân qua autobot
 
Bạn nào có link comic không cho mình xin, nghe kể thấy hấp dẫn quá :x
 
Vừa kiếm được mấy cái spoil về cảnh phim
[SPOIL]* We see Mirage transforming and BB form the scene he shows his weapons in car mode, shooting and destroying all around.

* Very funny scene with John Malkovich as Sam's interviewer for his first job. In one moment, John calls an assistant since one of her secretaries is using a red mug and he says that it does not combine with the yeloow carpet, and instantly a guy takes the cup and throw it to the garbage.

* Another funny scene with a Chinese guy who works with Sam and recognizes him as the "guy who knows the aliens", he takes Sam to a bathroom and fight with him inside to take his pants down to give Sam his "testimonial" and after that they get out to be caught by John Malkovich who is obviously surprised to see that chinese guy with his pants down and Sam next to him. XD

* The longest scene was the one with Sam, Carly, Epps and a lot of soldiers escaping and hiding in Chicago. Then, Sam and Carly get lost just to be found by Starscream. Sam, uses kind of a gauntlet to shoot an arpoon to Screamer's eyes, he keeps hunging and then he inserts a bomb in the other Screamer's eye. The Lennox and his group get and fight Screamer. Sam and Lennox are hunging while sam says the bomb is about to explode.

* A great scene is when we see Sideswipe (using his cannons as the Sidearm version) and Ironhide posing and pointing 2 con's.

* Inside the building, we see the fight between Sam, carly, Epps and his group. As the building collapses, they fight a drone and they jump over the windows and use the building as a slide.

* Another great scene, where the marines plan their strike and Screamer destroys a few copters and the marines jumps and fly over the building of CHicago chased by several Deceticons ships.

* The 3D scenes were AWESOME, very clear and defined. The 3D effect looks and feel great. All the bots look very impressive.

* The first 3D scene we saw was with Carly in her job, organizing a Car's collection. There, Sam meets her and tell her that he got the job. Then we see Carly's boss and SAm's feels jelous.

* OP walking over the street full of explosions and taking down 2 drones.

* Shockwave as we saw on the trailer, but here we could see that he was standing over the mechanical slug that we see on the trailer and we see a few more seconds of him.

In the end, I do velieve this movie will be GREAT! 3D lookd georgeus and the way the movie runs this time is a lot more serious and great.[/SPOIL]
 
[SPOIL]
* OP walking over the street full of explosions and taking down 2 drones.

* Shockwave as we saw on the trailer, but here we could see that he was standing over the mechanical slug that we see on the trailer and we see a few more seconds of him.
FTW? sao lại.....Op lại chỉ hạ mỗi 2 drone trên 1 con phố đang nổ?
còn Shock....đứng trên một....thằng lính (có thể là thằng khác, có thể là robot có thể là humans)? (slug mà) == [/SPOIL]
 
[SPOIL]
FTW? sao lại.....Op lại chỉ hạ mỗi 2 drone trên 1 con phố đang nổ?
còn Shock....đứng trên một....thằng lính (có thể là thằng khác, có thể là robot có thể là humans)? (slug mà) == [/SPOIL]

[SPOIL]lạy hồn đứng trên 1 con ốc sên máy chứ thằng lính nào :|[/SPOIL]
 
[SPOIL]
FTW? sao lại.....Op lại chỉ hạ mỗi 2 drone trên 1 con phố đang nổ?
còn Shock....đứng trên một....thằng lính (có thể là thằng khác, có thể là robot có thể là humans)? (slug mà) == [/SPOIL]

[SPOIL]lạy hồn đứng trên 1 con ốc sên máy chứ thằng lính nào :|mà câu cú của cậu nghe chả hiểu gì sất[/SPOIL]
 
REVIEW đầu tiên của DOTM, người viết tránh spoil nên ae ko phải lo.

Hey everyone. Capone here.

It's very late in Chicago right now, and I contemplated getting a decent night's sleep before tackling this review. But I'll be honest, the way my brain is spinning right now with thoughts of images I've just seen and the sheer destruction I've just experienced, sleep ain't happening. You see, I've just come from seeing TRANSFORMERS: DARK OF THE MOON, the third and easily best entry in the Michael Bay-directed franchise, and all I wanted to do when I left the theater was gaze upon my beautiful city, just to make sure it was in one piece.

Let me say two quick things before I dive into this review. The first is that, as a kid growing up, I could not have cared less about Transformers--the toys, TV show, or animated movie. When it was first announced that a live-action TRANSFORMERS movie was being made, directed by Bay, I couldn't have cared less, not because I didn't dig Bay's work but because I simply didn't care about the subject matter. Second, and perhaps more directly relevant to this discussion, the only nightmares I remember having as a child (we're talking Reagan-era 1980s) involved the destruction of the city I was living in at the time, Washington, D.C. I didn't know how many nuclear missiles the Russians had, but I knew damn well that a whole bunch of them were pointed at the nation's capital. Seeing WAR GAMES for the first time as a teen did not do me a bit of good.

Make no mistake, D.C. takes a hell of a beating in DARK OF THE MOON, but it was in the final hour of this TRANSFORMERS chapter that I simply forgot to breathe; there isn't a spare second to do so. For a solid hour, Bay and his CGI-created robot buddies decimate Chicago. And I won't lie: seeing it so realistically and utterly leveled was almost more than I could handle. Granted, people outside of Chicago probably won't have the same reaction I did (I didn't even get a little misty eyed watching California sink into the Pacific during 2012, or New York die in countless sci-fi stories), but our city has never been the victim of an alien hate crime like this before. And as much as it hurt to see, I also loved watching it happen.

Let me also add, in the interest of total disclosure, that the version of DARK OF THE MOON that I saw was not in 3D, probably because some of the effects weren't completely done, which would have forced the film to go in and out of 3D since the unfinished effects wouldn't have been in 3D. But there were definitely a few times watching this movie, where the 3D potential was very clear. As a reminder, Bay shot this movie in 3D, and it will likely look awesome. In addition, the sound mix and design wasn't quite done, so some parts seemed especially loud to the point where voices were buried when they clearly were meant to be heard. But considering that the film doesn't come out until July 4 weekend, it looked remarkably complete.

TRANSFORMERS: DARK OF THE MOON begins with a great concept and a cool backstory (the screenplay is credited to Ehren Kruger on imdb.com, but in the print I saw, Roberto Orci and Alex Kurtzman's names were credited as well; since the credits weren't finished, these may have been a temp credits pulled from the last movie): When the war on Cybertron between the Autobots and Decepticons appeared lost to the Autobots, their leader, Sentinal Prime, attempted to launch a craft from the planet, loaded with technology that would have saved their people. Instead, it crashed on earth's moon and the Autobots were forced to flee to earth. Coincidentally, this moon crash happened when John F. Kennedy was president, and he immediately made his famous promise to the nation to put a man on the moon (specifically, an American man, so that we would beat the Russians to investigate the crash; see how that works?). In fact, according to this film, every NASA moon landing was actually an investigation of this wrecked spacecraft.

The first hour and a half of DARK OF THE MOON focuses primarily on story (with brief fight and chase sequences pepperd in), but it's actually a cool story about the Autobots finding out that the technology that was supposed to save their race and planet has been sitting on the moon the entire time they've been on earth and nobody bothered to tell them; Optimus Prime is not amused. Naturally, we also get the continuing adventures of Sam Witwicky (Shia LaBeouf), who has now graduated college and is desperately looking for his first job. He has a new girlfriend, Carly (supermodel Rosie Huntington-Whiteley), who doesn't need an occasion to dress in the tightest clothes imaginable. Bay has a great deal of fun shooting Rosie like he's directing a Victoria's Secret commercial (which he probably did on his days off).

Sam is upset that he's even looking for job, since he believes he should be working side by side with his Autobot friends, going on missions, and helping save he world. The Autobots are now firmly in place as part of America's military, as we see from a brief mission in the Middle East early on. They would have killed Bin Laden years ago. A few Decepticons are still around, including a severely beaten down Megatron, who's especially creepy in DARK OF THE MOON because half of his head is missing and these little spider-like robots crawl in and out of the place where his brain circuitry may have been at one time. He plucks them out, almost without noticing, which somehow makes it worse. Still, Megatron is in good spirits because a plot hatched long ago is coming to fruition.

The clever script manages to find new ways to place Transformers into world events, including one particularly nasty "accident" at the nuclear power plant at Chernobyl, which was actually the result of some of the moon technology being experimented on. And I don't think I'm spoiling anything by saying that Optimus finds a way to retrieve Sentinal Prime's body from the moon wreckage and revive him (voiced to perfection by Leonard Nimoy). I don't feel right talking too much more about the twists and turns that lead to the Chicago showdown between a small group of humans and a massive alien robot army, but when Sam says to the Nest team "Chicago is ground zero!," I got a ******* chill.

Let's talk characters and performances. LaBeouf is LaBeouf; you either dig him or you don't. I happen to dig the guy a great deal, and he seems especially focused in DARK OF THE MOON, as well as broader in the shoulders. Huntington-Whiteley is actually pretty good here and certainly miles better than Megan Fox, if only because she's actually got something to do here beyond just looking like a million bucks. I wouldn't say Carly has a major players in this movie, but at least she's allowed to contribute. Also returning are Josh Duhamel and Tyrese Gibson as Nest team leaders Lennox and Epps, an shockingly enough there's little attention paid to personal growth in either of their cases.

And let's not forget John Turturro as former agent Simmons, who has written a book about aliens on earth and become a rich eccentric, trying desperately not to get sucked back into the alien game. Many of his scenes are with a fellow Coen Brothers regular, Frances McDormand, as Charlotte Mearing, the defense department commander in charge of missions involving the Autobots. She's kind of hard ass who couldn't care less that Sam wants to keep playing with his robots. "You're not a soldier; you're a messenger," she rightfully reminds him.

New to the cast are such dignitaries as John Malkovich, largely wasted (but still funny) as Sam's boss at a tech company where he eventually gets hired; Ken Jeong as co-worker with much-needed information on the moon project; Alan Tudyk, very good as Simmons right-hand man; and Patrick Dempsey, as Dylan, Carly's boss and perhaps competition for her affections. Oh, and he also harbors a desire for world domination. I'll thank whatever movie gods I have to that Sam's annoying parents are barely in this TRANSFORMERS installment. Without fail, they take us out of the action on the drop of a dime, they aren't funny, and we don't need comic relief like this anyway when we've got street-smart little robots to entertain us. Yes, they're back too, but let's just say they're toned down.

So what about the scenes of Chicago's destruction? These sequences are cool for a few reasons, but let me talk about them purely from a purely action standpoint. Because the Decepticons (who have taken over the city for reasons that involve restoring their planet) can detect machines coming into their airspace, the military can't send planes to bomb them. As a result, small teams of Nest soldiers much base jump into the city using suits that effectively make them able to fly. As much as some of you might think this was accomplished with visual effects, guess again. I saw these guys jump off the Willis Tower and the Trump Tower. Those guys ******* flew, then pulled their chutes, then landed. In watching most of the action sequences, it appeared to me that Bay opted to go practical a lot more than he has with this franchise in the past. Pretty much the only totally artificial element in DARK OF THE MOON are the robots, and what a colossal difference it makes.

And there's something about scaling things down somewhat in the Chicago scenes that proves far more rewarding than piling on large numbers of troops and artillery. There's one scene where Sam and Lennox are fighting a single Decepticon alone, and they manage to bring it down after a long, hard fight. Somehow, that small moment resonates so much louder than bombs and explosions that take out several bad-guy robots and half a city block at once (oh, don't worry, there's plenty of that as well). It's nice to see Bay act globally by thinking locally. The other thing that happens in DARK OF THE MOON that's spooky is that during the Chicago invasion sequence, civilians actually die…in large numbers, leaving behind a pile of clothes and a stripped down, scattered skeleton (it sounds silly, I know, but it's actually kind of traumatizing).

I think I'm going to leave TRANSFORMERS: DARK OF THE MOON for a while, at least until I can see it again in 3D (maybe IMAX to boot, just to really blow out my eyes and mind). So, there may be a follow-up review come July 1 or thereabouts. But, I have to admit, I'm genuinely surprised what a strong effort this film is, not just in terms of its scope, but also in its pacing, performances, and ideas. This one dares to go dark from time to time, and that helped me find the often-lacking component of many Bay films: emotion. You probably won't shed any tears watching DARK OF THE MOON, but you will care when certain lives are lost or in peril. This one might actually rock you a little to your foundation; get excited about that. The summer keeps getting incrementally better from where I'm sitting.

-- Capone [email protected]
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Source : http://www.aintitcool.com/node/49648

Bao giờ cho đến tháng 7. :-<
 
Vừa dài vừa tiếng Anh, huhu.....
 
REVIEW đầu tiên của DOTM, người viết tránh spoil nên ae ko phải lo.



Source : http://www.aintitcool.com/node/49648




Bao giờ cho đến tháng 7. :-<



với mấy cái này thì bác làm ơn dịch tóm tắt dùm anh em phát, có phải ai cũng giỏi tiếng anh đâu bác. Chỉ cần tóm tắt ý chính thôi là đc
 
[spoil]có khi lại có màn Mega nhảy ra đỡ đòn cho Op rồi hy sinh thì vui =)) lúc hấp hối thú nhận là Mega đã thầm yêu trộm nhớ Op từ lâu ;)) [/spoil]

Ôi vãi quá đi, Meg love OP, Meg gay !!! :))

---------- Post added at 21:25 ---------- Previous post was at 21:22 ----------

Một đồng chí bên tfw2005 đã có dc cuốn DOTM Movie Adaptation Comic, vài thông tin confirmed :
[SPOIL]
- OP và Ratchet lên moon đem SP từ Ark xuống Earth.
- The Matrix "hồi sinh" SP.
- SP giết Ironhide, Skids, Mudflap.
- Sam giết SS.
- Cái Space Bridge do SP tạo ra.
- OP và Meg hợp sức đánh với SP.
- OP : "You taught me that freedom was the right of all sentient beings." SP: "Survival is the right of the fittest"
- Câu phát biểu cuối fin của anh OP : :))

"I am Optimus Prime, and I send this message to the universe... we are here... We are home."


20110511191543.jpg



Meg trong comic cũng khá gấu đó chứ, hi vọng lên CGI sẽ ngon hơn nữa. :x :x

20110511190719.jpg
[/SPOIL]

[SPOIL]Ớ, thế té ra shockwave & SP vs Op & Meg à, Ironhide bị kill thì buồn lắm, nhìn khẩu Gatling của ảnh gấu vậy mà[/SPOIL]
 
[SPOIL]thằng già SP khốn nạn thật, kill đúng thằng vũ khí chủ chốt (IH), trẻ con cũng k tha nữa (Skidz & Mudflap) [/SPOIL]

[SPOIL]Cũng may là lão chưa làm gì đám Wreckers, Mirage với Mr.Q, thần tượng của tui ko sao là tốt rùi[/SPOIL]
 
Megatron ra oai với động vât à?X_X

Chiếc xe rút hầm cầu đang bon bon trên thảo nguyên Châu Phi thì có 1 chú voi trước mặt.

"Who dares stand in the way of the lord of the Decepticons Empire!"

"Megatron ............. transformmmmmmmm!!!!"

BÙM CHÉO!!!!!!!

Chú voi teo. :-<
 
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