Still, it’s a testament to Walter Hamada guiding DC back to a more filmmaker-driven approach, where each director gets to make their film, their way. So one month you may get a DC film that looks like Aquaman, then a few months later you get a film that looks like a low-budget, adult thriller like The Joker.
There’s no push to make the cinematic DC Universe look overly uniform, or like it came from the same creative core. Each film will tell its tale in a style that suits its main characters, premise, and the vision of its filmmaker.
For Yan and Birds of Prey, the word behind the scenes is that the costumes are very cool, but nothing flashy. Which is fitting, when you consider the characters involved.